Physics
By Aristotle
Translated by R. P. Hardie and R. K. Gaye
BOOK I
Part 1
When the objects of an inquiry, in any department, have principles, conditions, or elements, it is through acquaintance with these that knowledge, that is to say scientific knowledge, is attained. For we do not think that we know a thing until we are acquainted with its primary conditions or first principles, and have carried our analysis as far as its simplest elements. Plainly therefore in the science of Nature, as in other branches of study, our first task will be to try to determine what relates to its principles.
The natural way of doing this is to start from the things which are more knowable and obvious to us and proceed towards those which are clearer and more knowable by nature; for the same things are not 'knowable relatively to us' and 'knowable' without qualification. So in the present inquiry we must follow this method and advance from what is more obscure by nature, but clearer to us, towards what is more clear and more knowable by nature.
Now what is to us plain and obvious at first is rather confused masses, the elements and principles of which become known to us later by analysis. Thus we must advance from generalities to particulars; for it is a whole that is best known to sense-perception, and a generality is a kind of whole, comprehending many things within it, like parts. Much the same thing happens in the relation of the name to the formula. A name, e.g. 'round', means vaguely a sort of whole: its definition analyses this into its particular senses. Similarly a child begins by calling all men 'father', and all women 'mother', but later on distinguishes each of them.
Part 2
The principles in question must be either (a) one or (b) more than one. If (a) one, it must be either (i) motionless, as Parmenides and Melissus assert, or (ii) in motion, as the physicists hold, some declaring air to be the first principle, others water. If (b) more than one, then either (i) a finite or (ii) an infinite plurality. If (i) finite (but more than one), then either two or three or four or some other number. If (ii) infinite, then either as Democritus believed one in kind, but differing in shape or form; or different in kind and even contrary.
A similar inquiry is made by those who inquire into the number of existents: for they inquire whether the ultimate constituents of existing things are one or many, and if many, whether a finite or an infinite plurality. So they too are inquiring whether the principle or element is one or many.
Now to investigate whether Being is one and motionless is not a contribution to the science of Nature. For just as the geometer has nothing more to say to one who denies the principles of his science-this being a question for a different science or for or common to all-so a man investigating principles cannot argue with one who denies their existence. For if Being is just one, and one in the way mentioned, there is a principle no longer, since a principle must be the principle of some thing or things.
To inquire therefore whether Being is one in this sense would be like arguing against any other position maintained for the sake of argument (such as the Heraclitean thesis, or such a thesis as that Being is one man) or like refuting a merely contentious argument-a description which applies to the arguments both of Melissus and of Parmenides: their premisses are false and their conclusions do not follow. Or rather the argument of Melissus is gross and palpable and offers no difficulty at all: accept one ridiculous proposition and the rest follows-a simple enough proceeding.
We physicists, on the other hand, must take for granted that the things that exist by nature are, either all or some of them, in motion which is indeed made plain by induction. Moreover, no man of science is bound to solve every kind of difficulty that may be raised, but only as many as are drawn falsely from the principles of the science: it is not our business to refute those that do not arise in this way: just as it is the duty of the geometer to refute the squaring of the circle by means of segments, but it is not his duty to refute Antiphon's proof. At the same time the holders of the theory of which we are speaking do incidentally raise physical questions, though Nature is not their subject: so it will perhaps be as well to spend a few words on them, especially as the inquiry is not without scientific interest.
The most pertinent question with which to begin will be this: In what sense is it asserted that all things are one? For 'is' is used in many senses. Do they mean that all things 'are' substance or quantities or qualities? And, further, are all things one substance-one man, one horse, or one soul-or quality and that one and the same-white or hot or something of the kind? These are all very different doctrines and all impossible to maintain.
For if both substance and quantity and quality are, then, whether these exist independently of each other or not, Being will be many.
If on the other hand it is asserted that all things are quality or quantity, then, whether substance exists or not, an absurdity results, if the impossible can properly be called absurd. For none of the others can exist independently: substance alone is independent: for everything is predicated of substance as subject. Now Melissus says that Being is infinite. It is then a quantity. For the infinite is in the category of quantity, whereas substance or quality or affection cannot be infinite except through a concomitant attribute, that is, if at the same time they are also quantities. For to define the infinite you must use quantity in your formula, but not substance or quality. If then Being is both substance and quantity, it is two, not one: if only substance, it is not infinite and has no magnitude; for to have that it will have to be a quantity.
Again, 'one' itself, no less than 'being', is used in many senses, so we must consider in what sense the word is used when it is said that the All is one.
Now we say that (a) the continuous is one or that (b) the indivisible is one, or (c) things are said to be 'one', when their essence is one and the same, as 'liquor' and 'drink'.
If (a) their One is one in the sense of continuous, it is many, for the continuous is divisible ad infinitum.
There is, indeed, a difficulty about part and whole, perhaps not relevant to the present argument, yet deserving consideration on its own account-namely, whether the part and the whole are one or more than one, and how they can be one or many, and, if they are more than one, in what sense they are more than one. (Similarly with the parts of wholes which are not continuous.) Further, if each of the two parts is indivisibly one with the whole, the difficulty arises that they will be indivisibly one with each other also.
But to proceed: If (b) their One is one as indivisible, nothing will have quantity or quality, and so the one will not be infinite, as Melissus says-nor, indeed, limited, as Parmenides says, for though the limit is indivisible, the limited is not.
But if (c) all things are one in the sense of having the same definition, like 'raiment' and 'dress', then it turns out that they are maintaining the Heraclitean doctrine, for it will be the same thing 'to be good' and 'to be bad', and 'to be good' and 'to be not good', and so the same thing will be 'good' and 'not good', and man and horse; in fact, their view will be, not that all things are one, but that they are nothing; and that 'to be of such-and-such a quality' is the same as 'to be of such-and-such a size'.
Even the more recent of the ancient thinkers were in a pother lest the same thing should turn out in their hands both one and many. So some, like Lycophron, were led to omit 'is', others to change the mode of expression and say 'the man has been whitened' instead of 'is white', and 'walks' instead of 'is walking', for fear that if they added the word 'is' they should be making the one to be many-as if 'one' and 'being' were always used in one and the same sense. What 'is' may be many either in definition (for example 'to be white' is one thing, 'to be musical' another, yet the same thing be both, so the one is many) or by division, as the whole and its parts. On this point, indeed, they were already getting into difficulties and admitted that the one was many-as if there was any difficulty about the same thing being both one and many, provided that these are not opposites; for 'one' may mean either 'potentially one' or 'actually one'.
Part 3
If, then, we approach the thesis in this way it seems impossible for all things to be one. Further, the arguments they use to prove their position are not difficult to expose. For both of them reason contentiously-I mean both Melissus and Parmenides. [Their premisses are false and their conclusions do not follow. Or rather the argument of Melissus is gross and palpable and offers no difficulty at all: admit one ridiculous proposition and the rest follows-a simple enough proceeding.] The fallacy of Melissus is obvious. For he supposes that the assumption 'what has come into being always has a beginning' justifies the assumption 'what has not come into being has no beginning'. Then this also is absurd, that in every case there should be a beginning of the thing-not of the time and not only in the case of coming to be in the full sense but also in the case of coming to have a quality-as if change never took place suddenly. Again, does it follow that Being, if one, is motionless? Why should it not move, the whole of it within itself, as parts of it do which are unities, e.g. this water? Again, why is qualitative change impossible? But, further, Being cannot be one in form, though it may be in what it is made of. (Even some of the physicists hold it to be one in the latter way, though not in the former.) Man obviously differs from horse in form, and contraries from each other.
The same kind of argument holds good against Parmenides also, besides any that may apply specially to his view: the answer to him being that 'this is not true' and 'that does not follow'. His assumption that one is used in a single sense only is false, because it is used in several. His conclusion does not follow, because if we take only white things, and if 'white' has a single meaning, none the less what is white will be many and not one. For what is white will not be one either in the sense that it is continuous or in the sense that it must be defined in only one way. 'Whiteness' will be different from 'what has whiteness'. Nor does this mean that there is anything that can exist separately, over and above what is white. For 'whiteness' and 'that which is white' differ in definition, not in the sense that they are things which can exist apart from each other. But Parmenides had not come in sight of this distinction.
It is necessary for him, then, to assume not only that 'being' has the same meaning, of whatever it is predicated, but further that it means (1) what just is and (2) what is just one.
It must be so, for (1) an attribute is predicated of some subject, so that the subject to which 'being' is attributed will not be, as it is something different from 'being'. Something, therefore, which is not will be. Hence 'substance' will not be a predicate of anything else. For the subject cannot be a being, unless 'being' means several things, in such a way that each is something. But ex hypothesi 'being' means only one thing.
If, then, 'substance' is not attributed to anything, but other things are attributed to it, how does 'substance' mean what is rather than what is not? For suppose that 'substance' is also 'white'. Since the definition of the latter is different (for being cannot even be attributed to white, as nothing is which is not 'substance'), it follows that 'white' is not-being--and that not in the sense of a particular not-being, but in the sense that it is not at all. Hence 'substance' is not; for it is true to say that it is white, which we found to mean not-being. If to avoid this we say that even 'white' means substance, it follows that 'being' has more than one meaning.
In particular, then, Being will not have magnitude, if it is substance. For each of the two parts must he in a different sense.
(2) Substance is plainly divisible into other substances, if we consider the mere nature of a definition. For instance, if 'man' is a substance, 'animal' and 'biped' must also be substances. For if not substances, they must be attributes-and if attributes, attributes either of (a) man or of (b) some other subject. But neither is possible.
(a) An attribute is either that which may or may not belong to the subject or that in whose definition the subject of which it is an attribute is involved. Thus 'sitting' is an example of a separable attribute, while 'snubness' contains the definition of 'nose', to which we attribute snubness. Further, the definition of the whole is not contained in the definitions of the contents or elements of the definitory formula; that of 'man' for instance in 'biped', or that of 'white man' in 'white'. If then this is so, and if 'biped' is supposed to be an attribute of 'man', it must be either separable, so that 'man' might possibly not be 'biped', or the definition of 'man' must come into the definition of 'biped'-which is impossible, as the converse is the case.
(b) If, on the other hand, we suppose that 'biped' and 'animal' are attributes not of man but of something else, and are not each of them a substance, then 'man' too will be an attribute of something else. But we must assume that substance is not the attribute of anything, that the subject of which both 'biped' and 'animal' and each separately are predicated is the subject also of the complex 'biped animal'.
Are we then to say that the All is composed of indivisible substances? Some thinkers did, in point of fact, give way to both arguments. To the argument that all things are one if being means one thing, they conceded that not-being is; to that from bisection, they yielded by positing atomic magnitudes. But obviously it is not true that if being means one thing, and cannot at the same time mean the contradictory of this, there will be nothing which is not, for even if what is not cannot be without qualification, there is no reason why it should not be a particular not-being. To say that all things will be one, if there is nothing besides Being itself, is absurd. For who understands 'being itself' to be anything but a particular substance? But if this is so, there is nothing to prevent there being many beings, as has been said.
It is, then, clearly impossible for Being to be one in this sense.
Part 4
The physicists on the other hand have two modes of explanation.
The first set make the underlying body one either one of the three or something else which is denser than fire and rarer than air then generate everything else from this, and obtain multiplicity by condensation and rarefaction. Now these are contraries, which may be generalized into 'excess and defect'. (Compare Plato's 'Great and Small'-except that he make these his matter, the one his form, while the others treat the one which underlies as matter and the contraries as differentiae, i.e. forms).
The second set assert that the contrarieties are contained in the one and emerge from it by segregation, for example Anaximander and also all those who assert that 'what is' is one and many, like Empedocles and Anaxagoras; for they too produce other things from their mixture by segregation. These differ, however, from each other in that the former imagines a cycle of such changes, the latter a single series. Anaxagoras again made both his 'homceomerous' substances and his contraries infinite in multitude, whereas Empedocles posits only the so-called elements.
The theory of Anaxagoras that the principles are infinite in multitude was probably due to his acceptance of the common opinion of the physicists that nothing comes into being from not-being. For this is the reason why they use the phrase 'all things were together' and the coming into being of such and such a kind of thing is reduced to change of quality, while some spoke of combination and separation. Moreover, the fact that the contraries proceed from each other led them to the conclusion. The one, they reasoned, must have already existed in the other; for since everything that comes into being must arise either from what is or from what is not, and it is impossible for it to arise from what is not (on this point all the physicists agree), they thought that the truth of the alternative necessarily followed, namely that things come into being out of existent things, i.e. out of things already present, but imperceptible to our senses because of the smallness of their bulk. So they assert that everything has been mixed in every. thing, because they saw everything arising out of everything. But things, as they say, appear different from one another and receive different names according to the nature of the particles which are numerically predominant among the innumerable constituents of the mixture. For nothing, they say, is purely and entirely white or black or sweet, bone or flesh, but the nature of a thing is held to be that of which it contains the most.
Now (1) the infinite qua infinite is unknowable, so that what is infinite in multitude or size is unknowable in quantity, and what is infinite in variety of kind is unknowable in quality. But the principles in question are infinite both in multitude and in kind. Therefore it is impossible to know things which are composed of them; for it is when we know the nature and quantity of its components that we suppose we know a complex.
Further (2) if the parts of a whole may be of any size in the direction either of greatness or of smallness (by 'parts' I mean components into which a whole can be divided and which are actually present in it), it is necessary that the whole thing itself may be of any size. Clearly, therefore, since it is impossible for an animal or plant to be indefinitely big or small, neither can its parts be such, or the whole will be the same. But flesh, bone, and the like are the parts of animals, and the fruits are the parts of plants. Hence it is obvious that neither flesh, bone, nor any such thing can be of indefinite size in the direction either of the greater or of the less.
Again (3) according to the theory all such things are already present in one another and do not come into being but are constituents which are separated out, and a thing receives its designation from its chief constituent. Further, anything may come out of anything-water by segregation from flesh and flesh from water. Hence, since every finite body is exhausted by the repeated abstraction of a finite body, it seems obviously to follow that everything cannot subsist in everything else. For let flesh be extracted from water and again more flesh be produced from the remainder by repeating the process of separation: then, even though the quantity separated out will continually decrease, still it will not fall below a certain magnitude. If, therefore, the process comes to an end, everything will not be in everything else (for there will be no flesh in the remaining water); if on the other hand it does not, and further extraction is always possible, there will be an infinite multitude of finite equal particles in a finite quantity-which is impossible. Another proof may be added: Since every body must diminish in size when something is taken from it, and flesh is quantitatively definite in respect both of greatness and smallness, it is clear that from the minimum quantity of flesh no body can be separated out; for the flesh left would be less than the minimum of flesh.
Lastly (4) in each of his infinite bodies there would be already present infinite flesh and blood and brain- having a distinct existence, however, from one another, and no less real than the infinite bodies, and each infinite: which is contrary to reason.
The statement that complete separation never will take place is correct enough, though Anaxagoras is not fully aware of what it means. For affections are indeed inseparable. If then colours and states had entered into the mixture, and if separation took place, there would be a 'white' or a 'healthy' which was nothing but white or healthy, i.e. was not the predicate of a subject. So his 'Mind' is an absurd person aiming at the impossible, if he is supposed to wish to separate them, and it is impossible to do so, both in respect of quantity and of quality- of quantity, because there is no minimum magnitude, and of quality, because affections are inseparable.
Nor is Anaxagoras right about the coming to be of homogeneous bodies. It is true there is a sense in which clay is divided into pieces of clay, but there is another in which it is not. Water and air are, and are generated 'from' each other, but not in the way in which bricks come 'from' a house and again a house 'from' bricks; and it is better to assume a smaller and finite number of principles, as Empedocles does.
Part 5
All thinkers then agree in making the contraries principles, both those who describe the All as one and unmoved (for even Parmenides treats hot and cold as principles under the names of fire and earth) and those too who use the rare and the dense. The same is true of Democritus also, with his plenum and void, both of which exist, be says, the one as being, the other as not-being. Again he speaks of differences in position, shape, and order, and these are genera of which the species are contraries, namely, of position, above and below, before and behind; of shape, angular and angle-less, straight and round.
It is plain then that they all in one way or another identify the contraries with the principles. And with good reason. For first principles must not be derived from one another nor from anything else, while everything has to be derived from them. But these conditions are fulfilled by the primary contraries, which are not derived from anything else because they are primary, nor from each other because they are contraries.
But we must see how this can be arrived at as a reasoned result, as well as in the way just indicated.
Our first presupposition must be that in nature nothing acts on, or is acted on by, any other thing at random, nor may anything come from anything else, unless we mean that it does so in virtue of a concomitant attribute. For how could 'white' come from 'musical', unless 'musical' happened to be an attribute of the not-white or of the black? No, 'white' comes from 'not-white'-and not from any 'not-white', but from black or some intermediate colour. Similarly, 'musical' comes to be from 'not-musical', but not from any thing other than musical, but from 'unmusical' or any intermediate state there may be.
Nor again do things pass into the first chance thing; 'white' does not pass into 'musical' (except, it may be, in virtue of a concomitant attribute), but into 'not-white'-and not into any chance thing which is not white, but into black or an intermediate colour; 'musical' passes into 'not-musical'-and not into any chance thing other than musical, but into 'unmusical' or any intermediate state there may be.
The same holds of other things also: even things which are not simple but complex follow the same principle, but the opposite state has not received a name, so we fail to notice the fact. What is in tune must come from what is not in tune, and vice versa; the tuned passes into untunedness-and not into any untunedness, but into the corresponding opposite. It does not matter whether we take attunement, order, or composition for our illustration; the principle is obviously the same in all, and in fact applies equally to the production of a house, a statue, or any other complex. A house comes from certain things in a certain state of separation instead of conjunction, a statue (or any other thing that has been shaped) from shapelessness-each of these objects being partly order and partly composition.
If then this is true, everything that comes to be or passes away from, or passes into, its contrary or an intermediate state. But the intermediates are derived from the contraries-colours, for instance, from black and white. Everything, therefore, that comes to be by a natural process is either a contrary or a product of contraries.
Up to this point we have practically had most of the other writers on the subject with us, as I have said already: for all of them identify their elements, and what they call their principles, with the contraries, giving no reason indeed for the theory, but contrained as it were by the truth itself. They differ, however, from one another in that some assume contraries which are more primary, others contraries which are less so: some those more knowable in the order of explanation, others those more familiar to sense. For some make hot and cold, or again moist and dry, the conditions of becoming; while others make odd and even, or again Love and Strife; and these differ from each other in the way mentioned.
Hence their principles are in one sense the same, in another different; different certainly, as indeed most people think, but the same inasmuch as they are analogous; for all are taken from the same table of columns, some of the pairs being wider, others narrower in extent. In this way then their theories are both the same and different, some better, some worse; some, as I have said, take as their contraries what is more knowable in the order of explanation, others what is more familiar to sense. (The universal is more knowable in the order of explanation, the particular in the order of sense: for explanation has to do with the universal, sense with the particular.) 'The great and the small', for example, belong to the former class, 'the dense and the rare' to the latter.
It is clear then that our principles must be contraries.
Part 6
The next question is whether the principles are two or three or more in number.
One they cannot be, for there cannot be one contrary. Nor can they be innumerable, because, if so, Being will not be knowable: and in any one genus there is only one contrariety, and substance is one genus: also a finite number is sufficient, and a finite number, such as the principles of Empedocles, is better than an infinite multitude; for Empedocles professes to obtain from his principles all that Anaxagoras obtains from his innumerable principles. Lastly, some contraries are more primary than others, and some arise from others-for example sweet and bitter, white and black-whereas the principles must always remain principles.
This will suffice to show that the principles are neither one nor innumerable.
Granted, then, that they are a limited number, it is plausible to suppose them more than two. For it is difficult to see how either density should be of such a nature as to act in any way on rarity or rarity on density. The same is true of any other pair of contraries; for Love does not gather Strife together and make things out of it, nor does Strife make anything out of Love, but both act on a third thing different from both. Some indeed assume more than one such thing from which they construct the world of nature.
Other objections to the view that it is not necessary to assume a third principle as a substratum may be added. (1) We do not find that the contraries constitute the substance of any thing. But what is a first principle ought not to be the predicate of any subject. If it were, there would be a principle of the supposed principle: for the subject is a principle, and prior presumably to what is predicated of it. Again (2) we hold that a substance is not contrary to another substance. How then can substance be derived from what are not substances? Or how can non-substances be prior to substance?
If then we accept both the former argument and this one, we must, to preserve both, assume a third somewhat as the substratum of the contraries, such as is spoken of by those who describe the All as one nature-water or fire or what is intermediate between them. What is intermediate seems preferable; for fire, earth, air, and water are already involved with pairs of contraries. There is, therefore, much to be said for those who make the underlying substance different from these four; of the rest, the next best choice is air, as presenting sensible differences in a less degree than the others; and after air, water. All, however, agree in this, that they differentiate their One by means of the contraries, such as density and rarity and more and less, which may of course be generalized, as has already been said into excess and defect. Indeed this doctrine too (that the One and excess and defect are the principles of things) would appear to be of old standing, though in different forms; for the early thinkers made the two the active and the one the passive principle, whereas some of the more recent maintain the reverse.
To suppose then that the elements are three in number would seem, from these and similar considerations, a plausible view, as I said before. On the other hand, the view that they are more than three in number would seem to be untenable.
For the one substratum is sufficient to be acted on; but if we have four contraries, there will be two contrarieties, and we shall have to suppose an intermediate nature for each pair separately. If, on the other hand, the contrarieties, being two, can generate from each other, the second contrariety will be superfluous. Moreover, it is impossible that there should be more than one primary contrariety. For substance is a single genus of being, so that the principles can differ only as prior and posterior, not in genus; in a single genus there is always a single contrariety, all the other contrarieties in it being held to be reducible to one.
It is clear then that the number of elements is neither one nor more than two or three; but whether two or three is, as I said, a question of considerable difficulty.
Part 7
We will now give our own account, approaching the question first with reference to becoming in its widest sense: for we shall be following the natural order of inquiry if we speak first of common characteristics, and then investigate the characteristics of special cases.
We say that one thing comes to be from another thing, and one sort of thing from another sort of thing, both in the case of simple and of complex things. I mean the following. We can say (1) 'man becomes musical', (2) what is 'not-musical becomes musical', or (3), the 'not-musical man becomes a musical man'. Now what becomes in (1) and (2)-'man' and 'not musical'-I call simple, and what each becomes-'musical'-simple also. But when (3) we say the 'not-musical man becomes a musical man', both what becomes and what it becomes are complex.
As regards one of these simple 'things that become' we say not only 'this becomes so-and-so', but also 'from being this, comes to be so-and-so', as 'from being not-musical comes to be musical'; as regards the other we do not say this in all cases, as we do not say (1) 'from being a man he came to be musical' but only 'the man became musical'.
When a 'simple' thing is said to become something, in one case (1) it survives through the process, in the other (2) it does not. For man remains a man and is such even when he becomes musical, whereas what is not musical or is unmusical does not continue to exist, either simply or combined with the subject.
These distinctions drawn, one can gather from surveying the various cases of becoming in the way we are describing that, as we say, there must always be an underlying something, namely that which becomes, and that this, though always one numerically, in form at least is not one. (By that I mean that it can be described in different ways.) For 'to be man' is not the same as 'to be unmusical'. One part survives, the other does not: what is not an opposite survives (for 'man' survives), but 'not-musical' or 'unmusical' does not survive, nor does the compound of the two, namely 'unmusical man'.
We speak of 'becoming that from this' instead of 'this becoming that' more in the case of what does not survive the change-'becoming musical from unmusical', not 'from man'-but there are exceptions, as we sometimes use the latter form of expression even of what survives; we speak of 'a statue coming to be from bronze', not of the 'bronze becoming a statue'. The change, however, from an opposite which does not survive is described indifferently in both ways, 'becoming that from this' or 'this becoming that'. We say both that 'the unmusical becomes musical', and that 'from unmusical he becomes musical'. And so both forms are used of the complex, 'becoming a musical man from an unmusical man', and unmusical man becoming a musical man'.
But there are different senses of 'coming to be'. In some cases we do not use the expression 'come to be', but 'come to be so-and-so'. Only substances are said to 'come to be' in the unqualified sense.
Now in all cases other than substance it is plain that there must be some subject, namely, that which becomes. For we know that when a thing comes to be of such a quantity or quality or in such a relation, time, or place, a subject is always presupposed, since substance alone is not predicated of another subject, but everything else of substance.
But that substances too, and anything else that can be said 'to be' without qualification, come to be from some substratum, will appear on examination. For we find in every case something that underlies from which proceeds that which comes to be; for instance, animals and plants from seed.
Generally things which come to be, come to be in different ways: (1) by change of shape, as a statue; (2) by addition, as things which grow; (3) by taking away, as the Hermes from the stone; (4) by putting together, as a house; (5) by alteration, as things which 'turn' in respect of their material substance.
It is plain that these are all cases of coming to be from a substratum.
Thus, clearly, from what has been said, whatever comes to be is always complex. There is, on the one hand, (a) something which comes into existence, and again (b) something which becomes that-the latter (b) in two senses, either the subject or the opposite. By the 'opposite' I mean the 'unmusical', by the 'subject' 'man', and similarly I call the absence of shape or form or order the 'opposite', and the bronze or stone or gold the 'subject'.
Plainly then, if there are conditions and principles which constitute natural objects and from which they primarily are or have come to be-have come to be, I mean, what each is said to be in its essential nature, not what each is in respect of a concomitant attribute-plainly, I say, everything comes to be from both subject and form. For 'musical man' is composed (in a way) of 'man' and 'musical': you can analyse it into the definitions of its elements. It is clear then that what comes to be will come to be from these elements.
Now the subject is one numerically, though it is two in form. (For it is the man, the gold-the 'matter' generally-that is counted, for it is more of the nature of a 'this', and what comes to be does not come from it in virtue of a concomitant attribute; the privation, on the other hand, and the contrary are incidental in the process.) And the positive form is one-the order, the acquired art of music, or any similar predicate.
There is a sense, therefore, in which we must declare the principles to be two, and a sense in which they are three; a sense in which the contraries are the principles-say for example the musical and the unmusical, the hot and the cold, the tuned and the untuned-and a sense in which they are not, since it is impossible for the contraries to be acted on by each other. But this difficulty also is solved by the fact that the substratum is different from the contraries, for it is itself not a contrary. The principles therefore are, in a way, not more in number than the contraries, but as it were two, nor yet precisely two, since there is a difference of essential nature, but three. For 'to be man' is different from 'to be unmusical', and 'to be unformed' from 'to be bronze'.
We have now stated the number of the principles of natural objects which are subject to generation, and how the number is reached: and it is clear that there must be a substratum for the contraries, and that the contraries must be two. (Yet in another way of putting it this is not necessary, as one of the contraries will serve to effect the change by its successive absence and presence.)
The underlying nature is an object of scientific knowledge, by an analogy. For as the bronze is to the statue, the wood to the bed, or the matter and the formless before receiving form to any thing which has form, so is the underlying nature to substance, i.e. the 'this' or existent.
This then is one principle (though not one or existent in the same sense as the 'this'), and the definition was one as we agreed; then further there is its contrary, the privation. In what sense these are two, and in what sense more, has been stated above. Briefly, we explained first that only the contraries were principles, and later that a substratum was indispensable, and that the principles were three; our last statement has elucidated the difference between the contraries, the mutual relation of the principles, and the nature of the substratum. Whether the form or the substratum is the essential nature of a physical object is not yet clear. But that the principles are three, and in what sense, and the way in which each is a principle, is clear.
So much then for the question of the number and the nature of the principles.
Part 8
We will now proceed to show that the difficulty of the early thinkers, as well as our own, is solved in this way alone.
The first of those who studied science were misled in their search for truth and the nature of things by their inexperience, which as it were thrust them into another path. So they say that none of the things that are either comes to be or passes out of existence, because what comes to be must do so either from what is or from what is not, both of which are impossible. For what is cannot come to be (because it is already), and from what is not nothing could have come to be (because something must be present as a substratum). So too they exaggerated the consequence of this, and went so far as to deny even the existence of a plurality of things, maintaining that only Being itself is. Such then was their opinion, and such the reason for its adoption.
Our explanation on the other hand is that the phrases 'something comes to be from what is or from what is not', 'what is not or what is does something or has something done to it or becomes some particular thing', are to be taken (in the first way of putting our explanation) in the same sense as 'a doctor does something or has something done to him', 'is or becomes something from being a doctor.' These expressions may be taken in two senses, and so too, clearly, may 'from being', and 'being acts or is acted on'. A doctor builds a house, not qua doctor, but qua housebuilder, and turns gray, not qua doctor, but qua dark-haired. On the other hand he doctors or fails to doctor qua doctor. But we are using words most appropriately when we say that a doctor does something or undergoes something, or becomes something from being a doctor, if he does, undergoes, or becomes qua doctor. Clearly then also 'to come to be so-and-so from not-being' means 'qua not-being'.
It was through failure to make this distinction that those thinkers gave the matter up, and through this error that they went so much farther astray as to suppose that nothing else comes to be or exists apart from Being itself, thus doing away with all becoming.
We ourselves are in agreement with them in holding that nothing can be said without qualification to come from what is not. But nevertheless we maintain that a thing may 'come to be from what is not'-that is, in a qualified sense. For a thing comes to be from the privation, which in its own nature is not-being,-this not surviving as a constituent of the result. Yet this causes surprise, and it is thought impossible that something should come to be in the way described from what is not.
In the same way we maintain that nothing comes to be from being, and that being does not come to be except in a qualified sense. In that way, however, it does, just as animal might come to be from animal, and an animal of a certain kind from an animal of a certain kind. Thus, suppose a dog to come to be from a horse. The dog would then, it is true, come to be from animal (as well as from an animal of a certain kind) but not as animal, for that is already there. But if anything is to become an animal, not in a qualified sense, it will not be from animal: and if being, not from being-nor from not-being either, for it has been explained that by 'from not being' we mean from not-being qua not-being.
Note further that we do not subvert the principle that everything either is or is not.
This then is one way of solving the difficulty. Another consists in pointing out that the same things can be explained in terms of potentiality and actuality. But this has been done with greater precision elsewhere. So, as we said, the difficulties which constrain people to deny the existence of some of the things we mentioned are now solved. For it was this reason which also caused some of the earlier thinkers to turn so far aside from the road which leads to coming to be and passing away and change generally. If they had come in sight of this nature, all their ignorance would have been dispelled.
Part 9
Others, indeed, have apprehended the nature in question, but not adequately.
In the first place they allow that a thing may come to be without qualification from not being, accepting on this point the statement of Parmenides. Secondly, they think that if the substratum is one numerically, it must have also only a single potentiality-which is a very different thing.
Now we distinguish matter and privation, and hold that one of these, namely the matter, is not-being only in virtue of an attribute which it has, while the privation in its own nature is not-being; and that the matter is nearly, in a sense is, substance, while the privation in no sense is. They, on the other hand, identify their Great and Small alike with not being, and that whether they are taken together as one or separately. Their triad is therefore of quite a different kind from ours. For they got so far as to see that there must be some underlying nature, but they make it one-for even if one philosopher makes a dyad of it, which he calls Great and Small, the effect is the same, for he overlooked the other nature. For the one which persists is a joint cause, with the form, of what comes to be-a mother, as it were. But the negative part of the contrariety may often seem, if you concentrate your attention on it as an evil agent, not to exist at all.
For admitting with them that there is something divine, good, and desirable, we hold that there are two other principles, the one contrary to it, the other such as of its own nature to desire and yearn for it. But the consequence of their view is that the contrary desires its wtextinction. Yet the form cannot desire itself, for it is not defective; nor can the contrary desire it, for contraries are mutually destructive. The truth is that what desires the form is matter, as the female desires the male and the ugly the beautiful-only the ugly or the female not per se but per accidens.
The matter comes to be and ceases to be in one sense, while in another it does not. As that which contains the privation, it ceases to be in its own nature, for what ceases to be-the privation-is contained within it. But as potentiality it does not cease to be in its own nature, but is necessarily outside the sphere of becoming and ceasing to be. For if it came to be, something must have existed as a primary substratum from which it should come and which should persist in it; but this is its own special nature, so that it will be before coming to be. (For my definition of matter is just this-the primary substratum of each thing, from which it comes to be without qualification, and which persists in the result.) And if it ceases to be it will pass into that at the last, so it will have ceased to be before ceasing to be.
The accurate determination of the first principle in respect of form, whether it is one or many and what it is or what they are, is the province of the primary type of science; so these questions may stand over till then. But of the natural, i.e. perishable, forms we shall speak in the expositions which follow.
The above, then, may be taken as sufficient to establish that there are principles and what they are and how many there are. Now let us make a fresh start and proceed.
BOOK II
Part 1
Of things that exist, some exist by nature, some from other causes.
'By nature' the animals and their parts exist, and the plants and the simple bodies (earth, fire, air, water)-for we say that these and the like exist 'by nature'.
All the things mentioned present a feature in which they differ from things which are not constituted by nature. Each of them has within itself a principle of motion and of stationariness (in respect of place, or of growth and decrease, or by way of alteration). On the other hand, a bed and a coat and anything else of that sort, qua receiving these designations i.e. in so far as they are products of art-have no innate impulse to change. But in so far as they happen to be composed of stone or of earth or of a mixture of the two, they do have such an impulse, and just to that extent which seems to indicate that nature is a source or cause of being moved and of being at rest in that to which it belongs primarily, in virtue of itself and not in virtue of a concomitant attribute.
I say 'not in virtue of a concomitant attribute', because (for instance) a man who is a doctor might cure himself. Nevertheless it is not in so far as he is a patient that he possesses the art of medicine: it merely has happened that the same man is doctor and patient-and that is why these attributes are not always found together. So it is with all other artificial products. None of them has in itself the source of its own production. But while in some cases (for instance houses and the other products of manual labour) that principle is in something else external to the thing, in others those which may cause a change in themselves in virtue of a concomitant attribute-it lies in the things themselves (but not in virtue of what they are).
'Nature' then is what has been stated. Things 'have a nature'which have a principle of this kind. Each of them is a substance; for it is a subject, and nature always implies a subject in which it inheres.
The term 'according to nature' is applied to all these things and also to the attributes which belong to them in virtue of what they are, for instance the property of fire to be carried upwards-which is not a 'nature' nor 'has a nature' but is 'by nature' or 'according to nature'.
What nature is, then, and the meaning of the terms 'by nature' and 'according to nature', has been stated. That nature exists, it would be absurd to try to prove; for it is obvious that there are many things of this kind, and to prove what is obvious by what is not is the mark of a man who is unable to distinguish what is self-evident from what is not. (This state of mind is clearly possible. A man blind from birth might reason about colours. Presumably therefore such persons must be talking about words without any thought to correspond.)
Some identify the nature or substance of a natural object with that immediate constituent of it which taken by itself is without arrangement, e.g. the wood is the 'nature' of the bed, and the bronze the 'nature' of the statue.
As an indication of this Antiphon points out that if you planted a bed and the rotting wood acquired the power of sending up a shoot, it would not be a bed that would come up, but wood-which shows that the arrangement in accordance with the rules of the art is merely an incidental attribute, whereas the real nature is the other, which, further, persists continuously through the process of making.
But if the material of each of these objects has itself the same relation to something else, say bronze (or gold) to water, bones (or wood) to earth and so on, that (they say) would be their nature and essence. Consequently some assert earth, others fire or air or water or some or all of these, to be the nature of the things that are. For whatever any one of them supposed to have this character-whether one thing or more than one thing-this or these he declared to be the whole of substance, all else being its affections, states, or dispositions. Every such thing they held to be eternal (for it could not pass into anything else), but other things to come into being and cease to be times without number.
This then is one account of 'nature', namely that it is the immediate material substratum of things which have in themselves a principle of motion or change.
Another account is that 'nature' is the shape or form which is specified in the definition of the thing.
For the word 'nature' is applied to what is according to nature and the natural in the same way as 'art' is applied to what is artistic or a work of art. We should not say in the latter case that there is anything artistic about a thing, if it is a bed only potentially, not yet having the form of a bed; nor should we call it a work of art. The same is true of natural compounds. What is potentially flesh or bone has not yet its own 'nature', and does not exist until it receives the form specified in the definition, which we name in defining what flesh or bone is. Thus in the second sense of 'nature' it would be the shape or form (not separable except in statement) of things which have in themselves a source of motion. (The combination of the two, e.g. man, is not 'nature' but 'by nature' or 'natural'.)
The form indeed is 'nature' rather than the matter; for a thing is more properly said to be what it is when it has attained to fulfilment than when it exists potentially. Again man is born from man, but not bed from bed. That is why people say that the figure is not the nature of a bed, but the wood is-if the bed sprouted not a bed but wood would come up. But even if the figure is art, then on the same principle the shape of man is his nature. For man is born from man.
We also speak of a thing's nature as being exhibited in the process of growth by which its nature is attained. The 'nature' in this sense is not like 'doctoring', which leads not to the art of doctoring but to health. Doctoring must start from the art, not lead to it. But it is not in this way that nature (in the one sense) is related to nature (in the other). What grows qua growing grows from something into something. Into what then does it grow? Not into that from which it arose but into that to which it tends. The shape then is nature.
'Shape' and 'nature', it should be added, are in two senses. For the privation too is in a way form. But whether in unqualified coming to be there is privation, i.e. a contrary to what comes to be, we must consider later.
Part 2
We have distinguished, then, the different ways in which the term 'nature' is used.
The next point to consider is how the mathematician differs from the physicist. Obviously physical bodies contain surfaces and volumes, lines and points, and these are the subject-matter of mathematics.
Further, is astronomy different from physics or a department of it? It seems absurd that the physicist should be supposed to know the nature of sun or moon, but not to know any of their essential attributes, particularly as the writers on physics obviously do discuss their shape also and whether the earth and the world are spherical or not.
Now the mathematician, though he too treats of these things, nevertheless does not treat of them as the limits of a physical body; nor does he consider the attributes indicated as the attributes of such bodies. That is why he separates them; for in thought they are separable from motion, and it makes no difference, nor does any falsity result, if they are separated. The holders of the theory of Forms do the same, though they are not aware of it; for they separate the objects of physics, which are less separable than those of mathematics. This becomes plain if one tries to state in each of the two cases the definitions of the things and of their attributes. 'Odd' and 'even', 'straight' and 'curved', and likewise 'number', 'line', and 'figure', do not involve motion; not so 'flesh' and 'bone' and 'man'-these are defined like 'snub nose', not like 'curved'.
Similar evidence is supplied by the more physical of the branches of mathematics, such as optics, harmonics, and astronomy. These are in a way the converse of geometry. While geometry investigates physical lines but not qua physical, optics investigates mathematical lines, but qua physical, not qua mathematical.
Since 'nature' has two senses, the form and the matter, we must investigate its objects as we would the essence of snubness. That is, such things are neither independent of matter nor can be defined in terms of matter only. Here too indeed one might raise a difficulty. Since there are two natures, with which is the physicist concerned? Or should he investigate the combination of the two? But if the combination of the two, then also each severally. Does it belong then to the same or to different sciences to know each severally?
If we look at the ancients, physics would to be concerned with the matter. (It was only very slightly that Empedocles and Democritus touched on the forms and the essence.)
But if on the other hand art imitates nature, and it is the part of the same discipline to know the form and the matter up to a point (e.g. the doctor has a knowledge of health and also of bile and phlegm, in which health is realized, and the builder both of the form of the house and of the matter, namely that it is bricks and beams, and so forth): if this is so, it would be the part of physics also to know nature in both its senses.
Again, 'that for the sake of which', or the end, belongs to the same department of knowledge as the means. But the nature is the end or 'that for the sake of which'. For if a thing undergoes a continuous change and there is a stage which is last, this stage is the end or 'that for the sake of which'. (That is why the poet was carried away into making an absurd statement when he said 'he has the end for the sake of which he was born'. For not every stage that is last claims to be an end, but only that which is best.)
For the arts make their material (some simply 'make' it, others make it serviceable), and we use everything as if it was there for our sake. (We also are in a sense an end. 'That for the sake of which' has two senses: the distinction is made in our work On Philosophy.) The arts, therefore, which govern the matter and have knowledge are two, namely the art which uses the product and the art which directs the production of it. That is why the using art also is in a sense directive; but it differs in that it knows the form, whereas the art which is directive as being concerned with production knows the matter. For the helmsman knows and prescribes what sort of form a helm should have, the other from what wood it should be made and by means of what operations. In the products of art, however, we make the material with a view to the function, whereas in the products of nature the matter is there all along.
Again, matter is a relative term: to each form there corresponds a special matter. How far then must the physicist know the form or essence? Up to a point, perhaps, as the doctor must know sinew or the smith bronze (i.e. until he understands the purpose of each): and the physicist is concerned only with things whose forms are separable indeed, but do not exist apart from matter. Man is begotten by man and by the sun as well. The mode of existence and essence of the separable it is the business of the primary type of philosophy to define.
Part 3
Now that we have established these distinctions, we must proceed to consider causes, their character and number. Knowledge is the object of our inquiry, and men do not think they know a thing till they have grasped the 'why' of (which is to grasp its primary cause). So clearly we too must do this as regards both coming to be and passing away and every kind of physical change, in order that, knowing their principles, we may try to refer to these principles each of our problems.
In one sense, then, (1) that out of which a thing comes to be and which persists, is called 'cause', e.g. the bronze of the statue, the silver of the bowl, and the genera of which the bronze and the silver are species.
In another sense (2) the form or the archetype, i.e. the statement of the essence, and its genera, are called 'causes' (e.g. of the octave the relation of 2:1, and generally number), and the parts in the definition.
Again (3) the primary source of the change or coming to rest; e.g. the man who gave advice is a cause, the father is cause of the child, and generally what makes of what is made and what causes change of what is changed.
Again (4) in the sense of end or 'that for the sake of which' a thing is done, e.g. health is the cause of walking about. ('Why is he walking about?' we say. 'To be healthy', and, having said that, we think we have assigned the cause.) The same is true also of all the intermediate steps which are brought about through the action of something else as means towards the end, e.g. reduction of flesh, purging, drugs, or surgical instruments are means towards health. All these things are 'for the sake of' the end, though they differ from one another in that some are activities, others instruments.
This then perhaps exhausts the number of ways in which the term 'cause' is used.
As the word has several senses, it follows that there are several causes of the same thing not merely in virtue of a concomitant attribute), e.g. both the art of the sculptor and the bronze are causes of the statue. These are causes of the statue qua statue, not in virtue of anything else that it may be-only not in the same way, the one being the material cause, the other the cause whence the motion comes. Some things cause each other reciprocally, e.g. hard work causes fitness and vice versa, but again not in the same way, but the one as end, the other as the origin of change. Further the same thing is the cause of contrary results. For that which by its presence brings about one result is sometimes blamed for bringing about the contrary by its absence. Thus we ascribe the wreck of a ship to the absence of the pilot whose presence was the cause of its safety.
All the causes now mentioned fall into four familiar divisions. The letters are the causes of syllables, the material of artificial products, fire, &c., of bodies, the parts of the whole, and the premisses of the conclusion, in the sense of 'that from which'. Of these pairs the one set are causes in the sense of substratum, e.g. the parts, the other set in the sense of essence-the whole and the combination and the form. But the seed and the doctor and the adviser, and generally the maker, are all sources whence the change or stationariness originates, while the others are causes in the sense of the end or the good of the rest; for 'that for the sake of which' means what is best and the end of the things that lead up to it. (Whether we say the 'good itself or the 'apparent good' makes no difference.)
Such then is the number and nature of the kinds of cause.
Now the modes of causation are many, though when brought under heads they too can be reduced in number. For 'cause' is used in many senses and even within the same kind one may be prior to another (e.g. the doctor and the expert are causes of health, the relation 2:1 and number of the octave), and always what is inclusive to what is particular. Another mode of causation is the incidental and its genera, e.g. in one way 'Polyclitus', in another 'sculptor' is the cause of a statue, because 'being Polyclitus' and 'sculptor' are incidentally conjoined. Also the classes in which the incidental attribute is included; thus 'a man' could be said to be the cause of a statue or, generally, 'a living creature'. An incidental attribute too may be more or less remote, e.g. suppose that 'a pale man' or 'a musical man' were said to be the cause of the statue.
All causes, both proper and incidental, may be spoken of either as potential or as actual; e.g. the cause of a house being built is either 'house-builder' or 'house-builder building'.
Similar distinctions can be made in the things of which the causes are causes, e.g. of 'this statue' or of 'statue' or of 'image' generally, of 'this bronze' or of 'bronze' or of 'material' generally. So too with the incidental attributes. Again we may use a complex expression for either and say, e.g. neither 'Polyclitus' nor 'sculptor' but 'Polyclitus, sculptor'.
All these various uses, however, come to six in number, under each of which again the usage is twofold. Cause means either what is particular or a genus, or an incidental attribute or a genus of that, and these either as a complex or each by itself; and all six either as actual or as potential. The difference is this much, that causes which are actually at work and particular exist and cease to exist simultaneously with their effect, e.g. this healing person with this being-healed person and that house-building man with that being-built house; but this is not always true of potential causes--the house and the housebuilder do not pass away simultaneously.
In investigating the cause of each thing it is always necessary to seek what is most precise (as also in other things): thus man builds because he is a builder, and a builder builds in virtue of his art of building. This last cause then is prior: and so generally.
Further, generic effects should be assigned to generic causes, particular effects to particular causes, e.g. statue to sculptor, this statue to this sculptor; and powers are relative to possible effects, actually operating causes to things which are actually being effected.
This must suffice for our account of the number of causes and the modes of causation.
Part 4
But chance also and spontaneity are reckoned among causes: many things are said both to be and to come to be as a result of chance and spontaneity. We must inquire therefore in what manner chance and spontaneity are present among the causes enumerated, and whether they are the same or different, and generally what chance and spontaneity are.
Some people even question whether they are real or not. They say that nothing happens by chance, but that everything which we ascribe to chance or spontaneity has some definite cause, e.g. coming 'by chance' into the market and finding there a man whom one wanted but did not expect to meet is due to one's wish to go and buy in the market. Similarly in other cases of chance it is always possible, they maintain, to find something which is the cause; but not chance, for if chance were real, it would seem strange indeed, and the question might be raised, why on earth none of the wise men of old in speaking of the causes of generation and decay took account of chance; whence it would seem that they too did not believe that anything is by chance. But there is a further circumstance that is surprising. Many things both come to be and are by chance and spontaneity, and although know that each of them can be ascribed to some cause (as the old argument said which denied chance), nevertheless they speak of some of these things as happening by chance and others not. For this reason also they ought to have at least referred to the matter in some way or other.
Certainly the early physicists found no place for chance among the causes which they recognized-love, strife, mind, fire, or the like. This is strange, whether they supposed that there is no such thing as chance or whether they thought there is but omitted to mention it-and that too when they sometimes used it, as Empedocles does when he says that the air is not always separated into the highest region, but 'as it may chance'. At any rate he says in his cosmogony that 'it happened to run that way at that time, but it often ran otherwise.' He tells us also that most of the parts of animals came to be by chance.
There are some too who ascribe this heavenly sphere and all the worlds to spontaneity. They say that the vortex arose spontaneously, i.e. the motion that separated and arranged in its present order all that exists. This statement might well cause surprise. For they are asserting that chance is not responsible for the existence or generation of animals and plants, nature or mind or something of the kind being the cause of them (for it is not any chance thing that comes from a given seed but an olive from one kind and a man from another); and yet at the same time they assert that the heavenly sphere and the divinest of visible things arose spontaneously, having no such cause as is assigned to animals and plants. Yet if this is so, it is a fact which deserves to be dwelt upon, and something might well have been said about it. For besides the other absurdities of the statement, it is the more absurd that people should make it when they see nothing coming to be spontaneously in the heavens, but much happening by chance among the things which as they say are not due to chance; whereas we should have expected exactly the opposite.
Others there are who, indeed, believe that chance is a cause, but that it is inscrutable to human intelligence, as being a divine thing and full of mystery.
Thus we must inquire what chance and spontaneity are, whether they are the same or different, and how they fit into our division of causes.
Part 5
First then we observe that some things always come to pass in the same way, and others for the most part. It is clearly of neither of these that chance is said to be the cause, nor can the 'effect of chance' be identified with any of the things that come to pass by necessity and always, or for the most part. But as there is a third class of events besides these two-events which all say are 'by chance'-it is plain that there is such a thing as chance and spontaneity; for we know that things of this kind are due to chance and that things due to chance are of this kind.
But, secondly, some events are for the sake of something, others not. Again, some of the former class are in accordance with deliberate intention, others not, but both are in the class of things which are for the sake of something. Hence it is clear that even among the things which are outside the necessary and the normal, there are some in connexion withwhich the phrase 'for the sake of something' is applicable. (Events that are for the sake of something include whatever may be done as a result of thought or of nature.) Things of this kind, then, when they come to pass incidental are said to be 'by chance'. For just as a thing is something either in virtue of itself or incidentally, so may it be a cause. For instance, the housebuilding faculty is in virtue of itself the cause of a house, whereas the pale or the musical is the incidental cause. That which is per se cause of the effect is determinate, but the incidental cause is indeterminable, for the possible attributes of an individual are innumerable. To resume then; when a thing of this kind comes to pass among events which are for the sake of something, it is said to be spontaneous or by chance. (The distinction between the two must be made later-for the present it is sufficient if it is plain that both are in the sphere of things done for the sake of something.)
Example: A man is engaged in collecting subscriptions for a feast. He would have gone to such and such a place for the purpose of getting the money, if he had known. He actually went there for another purpose and it was only incidentally that he got his money by going there; and this was not due to the fact that he went there as a rule or necessarily, nor is the end effected (getting the money) a cause present in himself-it belongs to the class of things that are intentional and the result of intelligent deliberation. It is when these conditions are satisfied that the man is said to have gone 'by chance'. If he had gone of deliberate purpose and for the sake of this-if he always or normally went there when he was collecting payments-he would not be said to have gone 'by chance'.
It is clear then that chance is an incidental cause in the sphere of those actions for the sake of something which involve purpose. Intelligent reflection, then, and chance are in the same sphere, for purpose implies intelligent reflection.
It is necessary, no doubt, that the causes of what comes to pass by chance be indefinite; and that is why chance is supposed to belong to the class of the indefinite and to be inscrutable to man, and why it might be thought that, in a way, nothing occurs by chance. For all these statements are correct, because they are well grounded. Things do, in a way, occur by chance, for they occur incidentally and chance is an incidental cause. But strictly it is not the cause-without qualification-of anything; for instance, a housebuilder is the cause of a house; incidentally, a fluteplayer may be so.
And the causes of the man's coming and getting the money (when he did not come for the sake of that) are innumerable. He may have wished to see somebody or been following somebody or avoiding somebody, or may have gone to see a spectacle. Thus to say that chance is a thing contrary to rule is correct. For 'rule' applies to what is always true or true for the most part, whereas chance belongs to a third type of event. Hence, to conclude, since causes of this kind are indefinite, chance too is indefinite. (Yet in some cases one might raise the question whether any incidental fact might be the cause of the chance occurrence, e.g. of health the fresh air or the sun's heat may be the cause, but having had one's hair cut cannot; for some incidental causes are more relevant to the effect than others.)
Chance or fortune is called 'good' when the result is good, 'evil' when it is evil. The terms 'good fortune' and 'ill fortune' are used when either result is of considerable magnitude. Thus one who comes within an ace of some great evil or great good is said to be fortunate or unfortunate. The mind affirms the essence of the attribute, ignoring the hair's breadth of difference. Further, it is with reason that good fortune is regarded as unstable; for chance is unstable, as none of the things which result from it can be invariable or normal.
Both are then, as I have said, incidental causes-both chance and spontaneity-in the sphere of things which are capable of coming to pass not necessarily, nor normally, and with reference to such of these as might come to pass for the sake of something.
Part 6
They differ in that 'spontaneity' is the wider term. Every result of chance is from what is spontaneous, but not everything that is from what is spontaneous is from chance.
Chance and what results from chance are appropriate to agents that are capable of good fortune and of moral action generally. Therefore necessarily chance is in the sphere of moral actions. This is indicated by the fact that good fortune is thought to be the same, or nearly the same, as happiness, and happiness to be a kind of moral action, since it is well-doing. Hence what is not capable of moral action cannot do anything by chance. Thus an inanimate thing or a lower animal or a child cannot do anything by chance, because it is incapable of deliberate intention; nor can 'good fortune' or 'ill fortune' be ascribed to them, except metaphorically, as Protarchus, for example, said that the stones of which altars are made are fortunate because they are held in honour, while their fellows are trodden under foot. Even these things, however, can in a way be affected by chance, when one who is dealing with them does something to them by chance, but not otherwise.
The spontaneous on the other hand is found both in the lower animals and in many inanimate objects. We say, for example, that the horse came 'spontaneously', because, though his coming saved him, he did not come for the sake of safety. Again, the tripod fell 'of itself', because, though when it fell it stood on its feet so as to serve for a seat, it did not fall for the sake of that.
Hence it is clear that events which (1) belong to the general class of things that may come to pass for the sake of something, (2) do not come to pass for the sake of what actually results, and (3) have an external cause, may be described by the phrase 'from spontaneity'. These 'spontaneous' events are said to be 'from chance' if they have the further characteristics of being the objects of deliberate intention and due to agents capable of that mode of action. This is indicated by the phrase 'in vain', which is used when A which is for the sake of B, does not result in B. For instance, taking a walk is for the sake of evacuation of the bowels; if this does not follow after walking, we say that we have walked 'in vain' and that the walking was 'vain'. This implies that what is naturally the means to an end is 'in vain', when it does not effect the end towards which it was the natural means-for it would be absurd for a man to say that he had bathed in vain because the sun was not eclipsed, since the one was not done with a view to the other. Thus the spontaneous is even according to its derivation the case in which the thing itself happens in vain. The stone that struck the man did not fall for the purpose of striking him; therefore it fell spontaneously, because it might have fallen by the action of an agent and for the purpose of striking. The difference between spontaneity and what results by chance is greatest in things that come to be by nature; for when anything comes to be contrary to nature, we do not say that it came to be by chance, but by spontaneity. Yet strictly this too is different from the spontaneous proper; for the cause of the latter is external, that of the former internal.
We have now explained what chance is and what spontaneity is, and in what they differ from each other. Both belong to the mode of causation 'source of change', for either some natural or some intelligent agent is always the cause; but in this sort of causation the number of possible causes is infinite.
Spontaneity and chance are causes of effects which though they might result from intelligence or nature, have in fact been caused by something incidentally. Now since nothing which is incidental is prior to what is per se, it is clear that no incidental cause can be prior to a cause per se. Spontaneity and chance, therefore, are posterior to intelligence and nature. Hence, however true it may be that the heavens are due to spontaneity, it will still be true that intelligence and nature will be prior causes of this All and of many things in it besides.
Part 7
It is clear then that there are causes, and that the number of them is what we have stated. The number is the same as that of the things comprehended under the question 'why'. The 'why' is referred ultimately either (1), in things which do not involve motion, e.g. in mathematics, to the 'what' (to the definition of 'straight line' or 'commensurable', &c.), or (2) to what initiated a motion, e.g. 'why did they go to war?-because there had been a raid'; or (3) we are inquiring 'for the sake of what?'-'that they may rule'; or (4), in the case of things that come into being, we are looking for the matter. The causes, therefore, are these and so many in number.
Now, the causes being four, it is the business of the physicist to know about them all, and if he refers his problems back to all of them, he will assign the 'why' in the way proper to his science-the matter, the form, the mover, 'that for the sake of which'. The last three often coincide; for the 'what' and 'that for the sake of which' are one, while the primary source of motion is the same in species as these (for man generates man), and so too, in general, are all things which cause movement by being themselves moved; and such as are not of this kind are no longer inside the province of physics, for they cause motion not by possessing motion or a source of motion in themselves, but being themselves incapable of motion. Hence there are three branches of study, one of things which are incapable of motion, the second of things in motion, but indestructible, the third of destructible things.
The question 'why', then, is answered by reference to the matter, to the form, and to the primary moving cause. For in respect of coming to be it is mostly in this last way that causes are investigated-'what comes to be after what? what was the primary agent or patient?' and so at each step of the series.
Now the principles which cause motion in a physical way are two, of which one is not physical, as it has no principle of motion in itself. Of this kind is whatever causes movement, not being itself moved, such as (1) that which is completely unchangeable, the primary reality, and (2) the essence of that which is coming to be, i.e. the form; for this is the end or 'that for the sake of which'. Hence since nature is for the sake of something, we must know this cause also. We must explain the 'why' in all the senses of the term, namely, (1) that from this that will necessarily result ('from this' either without qualification or in most cases); (2) that 'this must be so if that is to be so' (as the conclusion presupposes the premisses); (3) that this was the essence of the thing; and (4) because it is better thus (not without qualification, but with reference to the essential nature in each case).
Part 8
We must explain then (1) that Nature belongs to the class of causes which act for the sake of something; (2) about the necessary and its place in physical problems, for all writers ascribe things to this cause, arguing that since the hot and the cold, &c., are of such and such a kind, therefore certain things necessarily are and come to be-and if they mention any other cause (one his 'friendship and strife', another his 'mind'), it is only to touch on it, and then good-bye to it.
A difficulty presents itself: why should not nature work, not for the sake of something, nor because it is better so, but just as the sky rains, not in order to make the corn grow, but of necessity? What is drawn up must cool, and what has been cooled must become water and descend, the result of this being that the corn grows. Similarly if a man's crop is spoiled on the threshing-floor, the rain did not fall for the sake of this-in order that the crop might be spoiled-but that result just followed. Why then should it not be the same with the parts in nature, e.g. that our teeth should come up of necessity-the front teeth sharp, fitted for tearing, the molars broad and useful for grinding down the food-since they did not arise for this end, but it was merely a coincident result; and so with all other parts in which we suppose that there is purpose? Wherever then all the parts came about just what they would have been if they had come be for an end, such things survived, being organized spontaneously in a fitting way; whereas those which grew otherwise perished and continue to perish, as Empedocles says his 'man-faced ox-progeny' did.
Such are the arguments (and others of the kind) which may cause difficulty on this point. Yet it is impossible that this should be the true view. For teeth and all other natural things either invariably or normally come about in a given way; but of not one of the results of chance or spontaneity is this true. We do not ascribe to chance or mere coincidence the frequency of rain in winter, but frequent rain in summer we do; nor heat in the dog-days, but only if we have it in winter. If then, it is agreed that things are either the result of coincidence or for an end, and these cannot be the result of coincidence or spontaneity, it follows that they must be for an end; and that such things are all due to nature even the champions of the theory which is before us would agree. Therefore action for an end is present in things which come to be and are by nature.
Further, where a series has a completion, all the preceding steps are for the sake of that. Now surely as in intelligent action, so in nature; and as in nature, so it is in each action, if nothing interferes. Now intelligent action is for the sake of an end; therefore the nature of things also is so. Thus if a house, e.g. had been a thing made by nature, it would have been made in the same way as it is now by art; and if things made by nature were made also by art, they would come to be in the same way as by nature. Each step then in the series is for the sake of the next; and generally art partly completes what nature cannot bring to a finish, and partly imitates her. If, therefore, artificial products are for the sake of an end, so clearly also are natural products. The relation of the later to the earlier terms of the series is the same in both. This is most obvious in the animals other than man: they make things neither by art nor after inquiry or deliberation. Wherefore people discuss whether it is by intelligence or by some other faculty that these creatures work,spiders, ants, and the like. By gradual advance in this direction we come to see clearly that in plants too that is produced which is conducive to the end-leaves, e.g. grow to provide shade for the fruit. If then it is both by nature and for an end that the swallow makes its nest and the spider its web, and plants grow leaves for the sake of the fruit and send their roots down (not up) for the sake of nourishment, it is plain that this kind of cause is operative in things which come to be and are by nature. And since 'nature' means two things, the matter and the form, of which the latter is the end, and since all the rest is for the sake of the end, the form must be the cause in the sense of 'that for the sake of which'.
Now mistakes come to pass even in the operations of art: the grammarian makes a mistake in writing and the doctor pours out the wrong dose. Hence clearly mistakes are possible in the operations of nature also. If then in art there are cases in which what is rightly produced serves a purpose, and if where mistakes occur there was a purpose in what was attempted, only it was not attained, so must it be also in natural products, and monstrosities will be failures in the purposive effort. Thus in the original combinations the 'ox-progeny' if they failed to reach a determinate end must have arisen through the corruption of some principle corresponding to what is now the seed.
Further, seed must have come into being first, and not straightway the animals: the words 'whole-natured first...' must have meant seed.
Again, in plants too we find the relation of means to end, though the degree of organization is less. Were there then in plants also 'olive-headed vine-progeny', like the 'man-headed ox-progeny', or not? An absurd suggestion; yet there must have been, if there were such things among animals.
Moreover, among the seeds anything must have come to be at random. But the person who asserts this entirely does away with 'nature' and what exists 'by nature'. For those things are natural which, by a continuous movement originated from an internal principle, arrive at some completion: the same completion is not reached from every principle; nor any chance completion, but always the tendency in each is towards the same end, if there is no impediment.
The end and the means towards it may come about by chance. We say, for instance, that a stranger has come by chance, paid the ransom, and gone away, when he does so as if he had come for that purpose, though it was not for that that he came. This is incidental, for chance is an incidental cause, as I remarked before. But when an event takes place always or for the most part, it is not incidental or by chance. In natural products the sequence is invariable, if there is no impediment.
It is absurd to suppose that purpose is not present because we do not observe the agent deliberating. Art does not deliberate. If the ship-building art were in the wood, it would produce the same results by nature. If, therefore, purpose is present in art, it is present also in nature. The best illustration is a doctor doctoring himself: nature is like that.
It is plain then that nature is a cause, a cause that operates for a purpose.
Part 9
As regards what is 'of necessity', we must ask whether the necessity is 'hypothetical', or 'simple' as well. The current view places what is of necessity in the process of production, just as if one were to suppose that the wall of a house necessarily comes to be because what is heavy is naturally carried downwards and what is light to the top, wherefore the stones and foundations take the lowest place, with earth above because it is lighter, and wood at the top of all as being the lightest. Whereas, though the wall does not come to be without these, it is not due to these, except as its material cause: it comes to be for the sake of sheltering and guarding certain things. Similarly in all other things which involve production for an end; the product cannot come to be without things which have a necessary nature, but it is not due to these (except as its material); it comes to be for an end. For instance, why is a saw such as it is? To effect so-and-so and for the sake of so-and-so. This end, however, cannot be realized unless the saw is made of iron. It is, therefore, necessary for it to be of iron, it we are to have a saw and perform the operation of sawing. What is necessary then, is necessary on a hypothesis; it is not a result necessarily determined by antecedents. Necessity is in the matter, while 'that for the sake of which' is in the definition.
Necessity in mathematics is in a way similar to necessity in things which come to be through the operation of nature. Since a straight line is what it is, it is necessary that the angles of a triangle should equal two right angles. But not conversely; though if the angles are not equal to two right angles, then the straight line is not what it is either. But in things which come to be for an end, the reverse is true. If the end is to exist or does exist, that also which precedes it will exist or does exist; otherwise just as there, if-the conclusion is not true, the premiss will not be true, so here the end or 'that for the sake of which' will not exist. For this too is itself a starting-point, but of the reasoning, not of the action; while in mathematics the starting-point is the starting-point of the reasoning only, as there is no action. If then there is to be a house, such-and-such things must be made or be there already or exist, or generally the matter relative to the end, bricks and stones if it is a house. But the end is not due to these except as the matter, nor will it come to exist because of them. Yet if they do not exist at all, neither will the house, or the saw-the former in the absence of stones, the latter in the absence of iron-just as in the other case the premisses will not be true, if the angles of the triangle are not equal to two right angles.
The necessary in nature, then, is plainly what we call by the name of matter, and the changes in it. Both causes must be stated by the physicist, but especially the end; for that is the cause of the matter, not vice versa; and the end is 'that for the sake of which', and the beginning starts from the definition or essence; as in artificial products, since a house is of such-and-such a kind, certain things must necessarily come to be or be there already, or since health is this, these things must necessarily come to be or be there already. Similarly if man is this, then these; if these, then those. Perhaps the necessary is present also in the definition. For if one defines the operation of sawing as being a certain kind of dividing, then this cannot come about unless the saw has teeth of a certain kind; and these cannot be unless it is of iron. For in the definition too there are some parts that are, as it were, its matter.
BOOK III
Part 1
Nature has been defined as a 'principle of motion and change', and it is the subject of our inquiry. We must therefore see that we understand the meaning of 'motion'; for if it were unknown, the meaning of 'nature' too would be unknown.
When we have determined the nature of motion, our next task will be to attack in the same way the terms which are involved in it. Now motion is supposed to belong to the class of things which are continuous; and the infinite presents itself first in the continuous-that is how it comes about that 'infinite' is often used in definitions of the continuous ('what is infinitely divisible is continuous'). Besides these, place, void, and time are thought to be necessary conditions of motion.
Clearly, then, for these reasons and also because the attributes mentioned are common to, and coextensive with, all the objects of our science, we must first take each of them in hand and discuss it. For the investigation of special attributes comes after that of the common attributes.
To begin then, as we said, with motion. We may start by distinguishing (1) what exists in a state of fulfilment only, (2) what exists as potential, (3) what exists as potential and also in fulfilment-one being a 'this', another 'so much', a third 'such', and similarly in each of the other modes of the predication of being.
Further, the word 'relative' is used with reference to (1) excess and defect, (2) agent and patient and generally what can move and what can be moved. For 'what can cause movement' is relative to 'what can be moved', and vice versa.
Again, there is no such thing as motion over and above the things. It is always with respect to substance or to quantity or to quality or to place that what changes changes. But it is impossible, as we assert, to find anything common to these which is neither 'this' nor quantum nor quale nor any of the other predicates. Hence neither will motion and change have reference to something over and above the things mentioned, for there is nothing over and above them.
Now each of these belongs to all its subjects in either of two ways: namely (1) substance-the one is positive form, the other privation; (2) in quality, white and black; (3) in quantity, complete and incomplete; (4) in respect of locomotion, upwards and downwards or light and heavy. Hence there are as many types of motion or change as there are meanings of the word 'is'.
We have now before us the distinctions in the various classes of being between what is full real and what is potential.
Def. The fulfilment of what exists potentially, in so far as it exists potentially, is motion-namely, of what is alterable qua alterable, alteration: of what can be increased and its opposite what can be decreased (there is no common name), increase and decrease: of what can come to be and can pass away, coming to he and passing away: of what can be carried along, locomotion.
Examples will elucidate this definition of motion. When the buildable, in so far as it is just that, is fully real, it is being built, and this is building. Similarly, learning, doctoring, rolling, leaping, ripening, ageing.
The same thing, if it is of a certain kind, can be both potential and fully real, not indeed at the same time or not in the same respect, but e.g. potentially hot and actually cold. Hence at once such things will act and be acted on by one another in many ways: each of them will be capable at the same time of causing alteration and of being altered. Hence, too, what effects motion as a physical agent can be moved: when a thing of this kind causes motion, it is itself also moved. This, indeed, has led some people to suppose that every mover is moved. But this question depends on another set of arguments, and the truth will be made clear later. is possible for a thing to cause motion, though it is itself incapable of being moved.
It is the fulfilment of what is potential when it is already fully real and operates not as itself but as movable, that is motion. What I mean by 'as' is this: Bronze is potentially a statue. But it is not the fulfilment of bronze as bronze which is motion. For 'to be bronze' and 'to be a certain potentiality' are not the same.
If they were identical without qualification, i.e. in definition, the fulfilment of bronze as bronze would have been motion. But they are not the same, as has been said. (This is obvious in contraries. 'To be capable of health' and 'to be capable of illness' are not the same, for if they were there would be no difference between being ill and being well. Yet the subject both of health and of sickness-whether it is humour or blood-is one and the same.)
We can distinguish, then, between the two-just as, to give another example, 'colour' and visible' are different-and clearly it is the fulfilment of what is potential as potential that is motion. So this, precisely, is motion.
Further it is evident that motion is an attribute of a thing just when it is fully real in this way, and neither before nor after. For each thing of this kind is capable of being at one time actual, at another not. Take for instance the buildable as buildable. The actuality of the buildable as buildable is the process of building. For the actuality of the buildable must be either this or the house. But when there is a house, the buildable is no longer buildable. On the other hand, it is the buildable which is being built. The process then of being built must be the kind of actuality required But building is a kind of motion, and the same account will apply to the other kinds also.
Part 2
The soundness of this definition is evident both when we consider the accounts of motion that the others have given, and also from the difficulty of defining it otherwise.
One could not easily put motion and change in another genus-this is plain if we consider where some people put it; they identify motion with or 'inequality' or 'not being'; but such things are not necessarily moved, whether they are 'different' or 'unequal' or 'non-existent'; Nor is change either to or from these rather than to or from their opposites.
The reason why they put motion into these genera is that it is thought to be something indefinite, and the principles in the second column are indefinite because they are privative: none of them is either 'this' or 'such' or comes under any of the other modes of predication. The reason in turn why motion is thought to be indefinite is that it cannot be classed simply as a potentiality or as an actuality-a thing that is merely capable of having a certain size is not undergoing change, nor yet a thing that is actually of a certain size, and motion is thought to be a sort of actuality, but incomplete, the reason for this view being that the potential whose actuality it is is incomplete. This is why it is hard to grasp what motion is. It is necessary to class it with privation or with potentiality or with sheer actuality, yet none of these seems possible. There remains then the suggested mode of definition, namely that it is a sort of actuality, or actuality of the kind described, hard to grasp, but not incapable of existing.
The mover too is moved, as has been said-every mover, that is, which is capable of motion, and whose immobility is rest-when a thing is subject to motion its immobility is rest. For to act on the movable as such is just to move it. But this it does by contact, so that at the same time it is also acted on. Hence we can define motion as the fulfilment of the movable qua movable, the cause of the attribute being contact with what can move so that the mover is also acted on. The mover or agent will always be the vehicle of a form, either a 'this' or 'such', which, when it acts, will be the source and cause of the change, e.g. the full-formed man begets man from what is potentially man.
Part 3
The solution of the difficulty that is raised about the motion-whether it is in the movable-is plain. It is the fulfilment of this potentiality, and by the action of that which has the power of causing motion; and the actuality of that which has the power of causing motion is not other than the actuality of the movable, for it must be the fulfilment of both. A thing is capable of causing motion because it can do this, it is a mover because it actually does it. But it is on the movable that it is capable of acting. Hence there is a single actuality of both alike, just as one to two and two to one are the same interval, and the steep ascent and the steep descent are one-for these are one and the same, although they can be described in different ways. So it is with the mover and the moved.
This view has a dialectical difficulty. Perhaps it is necessary that the actuality of the agent and that of the patient should not be the same. The one is 'agency' and the other 'patiency'; and the outcome and completion of the one is an 'action', that of the other a 'passion'. Since then they are both motions, we may ask: in what are they, if they are different? Either (a) both are in what is acted on and moved, or (b) the agency is in the agent and the patiency in the patient. (If we ought to call the latter also 'agency', the word would be used in two senses.)
Now, in alternative (b), the motion will be in the mover, for the same statement will hold of 'mover' and 'moved'. Hence either every mover will be moved, or, though having motion, it will not be moved.
If on the other hand (a) both are in what is moved and acted on-both the agency and the patiency (e.g. both teaching and learning, though they are two, in the learner), then, first, the actuality of each will not be present in each, and, a second absurdity, a thing will have two motions at the same time. How will there be two alterations of quality in one subject towards one definite quality? The thing is impossible: the actualization will be one.
But (some one will say) it is contrary to reason to suppose that there should be one identical actualization of two things which are different in kind. Yet there will be, if teaching and learning are the same, and agency and patiency. To teach will be the same as to learn, and to act the same as to be acted on-the teacher will necessarily be learning everything that he teaches, and the agent will be acted on. One may reply:
(1) It is not absurd that the actualization of one thing should be in another. Teaching is the activity of a person who can teach, yet the operation is performed on some patient-it is not cut adrift from a subject, but is of A on B.
(2) There is nothing to prevent two things having one and the same actualization, provided the actualizations are not described in the same way, but are related as what can act to what is acting.
(3) Nor is it necessary that the teacher should learn, even if to act and to be acted on are one and the same, provided they are not the same in definition (as 'raiment' and 'dress'), but are the same merely in the sense in which the road from Thebes to Athens and the road from Athens to Thebes are the same, as has been explained above. For it is not things which are in a way the same that have all their attributes the same, but only such as have the same definition. But indeed it by no means follows from the fact that teaching is the same as learning, that to learn is the same as to teach, any more than it follows from the fact that there is one distance between two things which are at a distance from each other, that the two vectors AB and Ba, are one and the same. To generalize, teaching is not the same as learning, or agency as patiency, in the full sense, though they belong to the same subject, the motion; for the 'actualization of X in Y' and the 'actualization of Y through the action of X' differ in definition.
What then Motion is, has been stated both generally and particularly. It is not difficult to see how each of its types will be defined-alteration is the fulfillment of the alterable qua alterable (or, more scientifically, the fulfilment of what can act and what can be acted on, as such)-generally and again in each particular case, building, healing, &c. A similar definition will apply to each of the other kinds of motion.
Part 4
The science of nature is concerned with spatial magnitudes and motion and time, and each of these at least is necessarily infinite or finite, even if some things dealt with by the science are not, e.g. a quality or a point-it is not necessary perhaps that such things should be put under either head. Hence it is incumbent on the person who specializes in physics to discuss the infinite and to inquir<